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Jelena Mohnani, ceramic artist at Totus Ceramics, Espoo

About

Jelena Mohnani

'Totus was born as an expression of my most inner feelings and thoughts during a long battle with mental health, but eventually it became my way of celebrating the life I finally got to live.'

I'm a ceramic artist. My work explores the relationship between strength and fragility, examining how opposing qualities can coexist within a single form.

Deeply informed by my background in psychology, I draw inspiration from a long-standing interest in the human emotional experience of life's highs and lows. My work is shaped by personal experiences of severe early life trauma — experiences that have shaped my existence, which I now breathe into my pieces.

As a reflection of my experiences, my work is a sustained exploration of emotional states such as fear, loss, and despair, alongside resilience, strength, and recovery. Rather than presenting these as opposites, I hold them in parallel — acknowledging their simultaneous presence within the same body.

I'm a self-taught potter. In my quest to express the complexity of the human experience in material form, I continuously explore a range of hand-building, sculpting, and carving techniques to create highly intricate and detailed ceramic designs.

The Totus studio — shelves of ceramic works, work table, and forest views
Azra — a stoneware and porcelain sculptural bust

"Contrast sits at the heart of my work — between textures, materials, colours, and forms. I'm fascinated by the dialogue between light and shadow, control and surrender, fragility and strength, intention and chance. These contrasts emerge instinctively, finding their way into my pieces when I least anticipate it."

The birch and pine forest behind the Totus studio, Espoo

The Process

By hand, always

Hands shaping a piece of hand-built ceramic in the studio
Jelena hand-applying clay flowers to a sculptural ceramic form, Totus studio

My studio looks out onto forest. I keep sessions small — one or two guests at a time — so the space stays quiet and the attention stays undivided. The same forest, the same clay, the same unhurried pace, whether you are making your own piece or simply here to slow down and learn.

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