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About

Jelena

Jelena, ceramic artist at Totus Ceramics, Espoo
'Totus was born as an expression of my most inner feelings and thoughts during a long battle with mental health, but eventually it became my way of celebrating the life I finally got to live.'

Jelena is a ceramic artist whose work explores the relationship between strength and fragility, examining how opposing qualities can coexist within a single form.

Deeply informed by a background in psychology, Jelena draws inspiration from a long-standing interest in the human emotional experience of life's highs and lows. Her work is shaped by personal experiences of severe early life trauma — experiences that have shaped her existence, and that she no longer keeps quiet about.

As a reflection of her experiences, Jelena's work is a sustained exploration of emotional states such as fear, loss, and despair, alongside resilience, strength, and recovery. Rather than presenting these as opposites, her work holds them in parallel — acknowledging their simultaneous presence within the same body.

Jelena is a self-taught potter who, in her quest to express the complexity of the human experience in material form, continuously explores a range of hand-building, sculpting, and carving techniques to create highly intricate and detailed ceramic designs. There is no wheel in the studio. Everything is built by hand.

Jelena hand-building a ceramic piece in her Espoo studio
Detail of hand-carving a ceramic sculpture at Totus Ceramics

"Contrast sits at the heart of my work — between textures, materials, colours, and forms. I'm fascinated by the dialogue between light and shadow, control and surrender, fragility and strength, intention and chance. These contrasts emerge instinctively, finding their way into my pieces when I least anticipate it."

The Process

By hand, always

Studio process at Totus Ceramics — adding texture to a ceramic form
Jelena and a student working together in the Totus Ceramics studio

The studio looks out onto forest. Sessions are kept small — one or two guests at a time — so the space stays quiet and the attention stays undivided. The same forest, the same clay, the same unhurried pace whether you are making your own piece or studying hers.

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[NEEDS FI TRANSLATION LATER] — Finnish version of this page will be added when the personal story is ready to translate.